Karolina Hać is a writer and editor working at the intersection of art, culture, and the built environment. She has been a contributor to Boston Art Review since 2018, and her writing has appeared in Hyperallergic, Landscape Architecture Magazine, and Big Red & Shiny. By day, she is a communications manager at Sasaki.
By This Author
Issue 15 • Nov 18, 2025
At the Hood Museum of Art, “Visual Kinship” Examines Family Through Photography
Review by Karolina Hać
Online • Aug 20, 2024
Heather McPherson Grasps at Loss, Memory, and Dreams at the Distillery Gallery
Review by Karolina Hać
Online • Dec 07, 2023
Caroline Bagenal’s Swimming Sculptures Explore the Healing Power of Water
Review by Karolina Hać
Online • Aug 29, 2023
Brian Smith Explores Aquatic Futures in “That Queer Fish”
Review by Karolina Hać
Online • Aug 07, 2023
A Short but Winding Road in Matthew Wong’s Paintings at MFA, Boston
Review by Karolina Hać
Online • Apr 18, 2023
In “The Familiars,” Haley Wood and Aris Moore Craft Creatures that Recall Our Younger Selves
Review by Karolina Hać
Online • Apr 01, 2023
Alejandra Cuadra and Ashley Page Present Artistic Journeys That Intertwine
Review by Karolina Hać
Issue 06 • Dec 04, 2020
A Dance Between Past and Present: Chantal Zakari’s “A Work in Progress”
Review by Karolina Hać
Online • Aug 03, 2020
As Boston Cautiously Reopens, AREA CODE Art Fair Brings Art Back to the City
Review by Karolina Hać
Online • Apr 18, 2020
At Boston Center for the Arts, "FeministFuturist" Takes to the Web
Review by Karolina Hać
Online • Nov 22, 2018
Taking Away the Edges: Lavaughan Jenkins at Suffolk University Gallery
Review by Karolina Hać